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The 10th International Conference on the Histories of Media Art, Science and Technology
Andrés Burbano is a transdisciplinary artist and scholar; he is an associate professor in the Arts and Humanities School at the Open University of Catalunya (Barcelona, Spain) and a Visiting Lecturer at Donau-Universität (Krems, Austria). He holds a Ph.D. in Media Arts and Technology from the University of California at Santa Barbara (California, EEUU). He has developed most of his academic career in the School of Architecture and Design at Universidad de los Andes (Bogotá, Colombia). His research projects focus on media history and media archaeology in Latin America and the Global South, 3D modeling of archaeological sites, and computational technologies' historical and cultural impact. Burbano is author of Different Engines: Media Technologies from Latin America (Routledge, 2023) and has been appointed ACM SIGGRAPH 2024 conference chair.
Andrés Burbano is a transdisciplinary artist and scholar; he is an associate professor in the Arts and Humanities School at the Open University of Catalunya (Barcelona, Spain) and a Visiting Lecturer at Donau-Universität (Krems, Austria). He holds a Ph.D. in Media Arts and Technology from the University of California at Santa Barbara (California, EEUU). He has developed most of his academic career in the School of Architecture and Design at Universidad de los Andes (Bogotá, Colombia). His research projects focus on media history and media archaeology in Latin America and the Global South, 3D modeling of archaeological sites, and computational technologies' historical and cultural impact. Burbano is author of Different Engines: Media Technologies from Latin America (Routledge, 2023) and has been appointed ACM SIGGRAPH 2024 conference chair.
Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Prof. at the School of Media Studies, The New School. She has written extensively on new media arts and lectured internationally on art and technology. Her recent books are 'Context Providers – Conditions of Meaning in Media Arts' (Intellect, 2011; Beijing Beepub Media & Culture Publishing Co., 2012), co- edited with M. Lovejoy and V. Vesna; 'New Media in the White Cube and Beyond' (UC Press, 2008); and 'Digital Art' (Thames and Hudson 2003; expanded new edition 2008). As Adjunct Curator of New Media Arts at the Whitney Museum of American Art, she curated several exhibitions—including 'Cory Arcangel: Pro Tools, Profiling' (2007), 'Data Dynamics' (2001) and the net art selection for the 2002 Whitney Biennial—as well as artport, the Whitney Museum’s website devoted to Internet art.
Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Prof. at the School of Media Studies, The New School. She has written extensively on new media arts and lectured internationally on art and technology. Her recent books are 'Context Providers – Conditions of Meaning in Media Arts' (Intellect, 2011; Beijing Beepub Media & Culture Publishing Co., 2012), co- edited with M. Lovejoy and V. Vesna; 'New Media in the White Cube and Beyond' (UC Press, 2008); and 'Digital Art' (Thames and Hudson 2003; expanded new edition 2008). As Adjunct Curator of New Media Arts at the Whitney Museum of American Art, she curated several exhibitions—including 'Cory Arcangel: Pro Tools, Profiling' (2007), 'Data Dynamics' (2001) and the net art selection for the 2002 Whitney Biennial—as well as artport, the Whitney Museum’s website devoted to Internet art.
Dr Jussi Parikka is Professor in Digital Aesthetics and Culture at Aarhus University in Denmark where he leads the Digital Aesthetics Research Centre (DARC). He is also visiting professor of at Winchester School of Art (University of Southampton) and at FAMU at the Academy of Performing Arts in Prague where he leads the project Operational Images and Visual Culture (2019-2023, funded by the Czech Science Foundation). In 2021 he was elected as member of Academia Europaea. His published books include Insect Media (2010), Digital Contagions (2007/2016) and A Geology of Media (2015), and A Slow, Contemporary Violence (2016). Recently, he co-edited Photography Off the Scale (2021) and is the co-author of The Lab Book: Situated Practices in Media Studies (2022). His book Operational Images is forthcoming in Spring 2023. Parikka’s books have been translated into 11 languages including Japanese, Korean, Chinese, Czech, Italian, French, Spanish and Portuguese.
Dr Jussi Parikka is Professor in Digital Aesthetics and Culture at Aarhus University in Denmark where he leads the Digital Aesthetics Research Centre (DARC). He is also visiting professor of at Winchester School of Art (University of Southampton) and at FAMU at the Academy of Performing Arts in Prague where he leads the project Operational Images and Visual Culture (2019-2023, funded by the Czech Science Foundation). In 2021 he was elected as member of Academia Europaea. His published books include Insect Media (2010), Digital Contagions (2007/2016) and A Geology of Media (2015), and A Slow, Contemporary Violence (2016). Recently, he co-edited Photography Off the Scale (2021) and is the co-author of The Lab Book: Situated Practices in Media Studies (2022). His book Operational Images is forthcoming in Spring 2023. Parikka’s books have been translated into 11 languages including Japanese, Korean, Chinese, Czech, Italian, French, Spanish and Portuguese.
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