The 10th International Conference on the Histories of Media Art, Science and Technology
› Men of Letters: Perspectives on Multi-Sensory Environments in the Hall-McLuhan Correspondence 1961 to 1977 - Wolfgang Muench, LASALLE College of the Arts › Obsolescence and the representation of climate change in photography: Mergulho by Tito Mouraz - Sandra Camacho, ICNOVA - FCSH, Universidade Nova de Lisboa › Orienting the Future Otherwise: Infrastructural Imaginary in …
› Exhibiting electronic literature: from multimodal digital stories to XR literature - Agnieszka Przybyszewska, University of Łódź › From first festivals to institutions. A cultural history of media arts institutions - preliminary identifications - Sylwia Szykowna, Adam Mickiewicz University in Poznań › Museums, new technologies and circular economies - Marianna Tsionki, Leeds Arts University › …
Eric Nowak (1), Jens Hauser (2), Rasa Smite (3), Ilaria Espa (4) 1 : USI 2 : KIT 3 : RIXC 4 : World Trade Institute Climate change action failure represents the greatest long-term risk of humanity. One of the biggest drivers of climate change is deforestation. Despite the Global importance of deforestation for climate …
Part of La Biennale di Venezia Sessions, at the 18th International Architecture Exhibition, with Prof. Sean Cubitt (University of Melbourne), Prof. Paul Thomas (University of South Wales, Sydney, AUS), Dr Francesca Franco and the artist Iury Lech.
› Mapping the Labyrinth: What the cartography of Chris Marker's CD-ROM Immemory teaches us about documentation of digital artworks - Alexandre Michaan, Université Jean Monnet - Saint-Étienne - Philippe Bettinelli, Centre Georges Pompidou - Service Nouveaux Médias. › Messages to the Future - Kari Yli-Annala, Aalto University. › Reconstruction of New Media Artworks: Preserving the …
› (Re)inventing the Body in Sound Art. - Maciej Ożóg, University of Lódź › Allan Lomax and its Global Jukebox - Gilles Tassé, Université du Québec à Montréal › Between sound and technology: the 60's roman school of electronic musical experimentation - Leonardo Zaccone, LEAP › Towards a Sonic Theory of Posthumanism - Andrea Liu, …
› Alarms won't go off if you get too close: Disembodied(?) experience of exhibition spaces hidden in digital spaces - Maria Teresa Gomez-Molina, Karlsruhe Institut für Tehcnologie - Art History Department › Fermenting Data, or what does it mean for data to have a life? (experiments in Curating Data) - Magdalena Tyzlik-Carver, Aarhus University › …
Nobuhiro Masuda (1), Yasuharu Akiyoshi (2), Kazuhiro Jo (1, 3), Juppo Yokokawa (4), Yosaku Matsutani (5) 1 : Kyushu University 2 : Kyoto Seika University 3 : YCAM 4 : Tokyo University of the Arts 5 : Otemon Gakuin University The history of Western civilization has been one of resistance and domination over the forces …
› Media Art and Technological Control, a history of hybridization - Paloma Gonzalez, Universitat Oberta de Catalunya . › Media arts, memory representation and reenactment processes in audio-visual performances - Frederico Dinis, Centre for Interdisciplinary Studies - University of Coimbra. › The Lomax's Global Jukebox Project and its Untold 150 Year Story - Michael Naimark, …
› Bogdanka Poznanović: The Art of Communication and The Emergence of “Mainframe Arte Povera” - Violeta Vojvodic Balaz, Memoduct posthuman.archive › The Algorithms of Abstraction: From Constructivismto Computer and Post-Gravity Art - Pranjić Kristina, University of Nova Gorica › ́Intensifying the Beaty ́ in Early Czech Structuralist Media Art - Jaroslav Vančát, Department of Art …
› ACM SIGGRAPH History Archive Alive: A Journey Through Time - Bonnie Mitchell, Bowling Green State University › Right to research knowledge held by museums and other cultural heritage institutions - Maja Bogataj Jancic, Intellectual Property Institute › We might have seen it coming: Newsreels of the 1950s and 1960s represent the past, and mirror …
A meeting point to connect the broad spectrum of scholars and connoisseurs in the Media Arts field in Italy with the rest of the world